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Everything posted by repoman
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I've currently got a Harley Benton and two Ibanez guitars but I'm thinking about selling them and putting it all on a Gretsch. I mean, I'll try out a few Gretsch guitars first to see how I get on with them but have any of you got one and got any thoughts about them? Also, do Bigsby tremoloes mess with tuning stability much?
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Tim someone. He's got an Ibanez signature guitar. Polyphia or something. I don't know. I heard them once and felt nothing for their music. I like the idea of the cutaway for higher frets. I don't like the normal classical shape all that much.
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Which one do you think looks nicer? Buy that one.
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Guitars are things of joy. Buy what you want. Just don't ascribe a magical boost to motivation to it anymore than thinking that subbing for a gym will make you get in shape. It's all good though.
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I'm sort of tempted to get a nylon guitar but not a classical shape. Ibanez seem to be the most popular option with their FRH range. They've got a signature model from that guy in that band. All neck tattoos and faff. I don't want that. Harley Benton do the Nashville hybrid - https://harleybenton.com/product/cl-nashville-nylon-nt/ Ferndale do a budget one - https://www.pmtonline.co.uk/ferndale-ec-2-electro-classical-guitar-natural Are any of these any good? Has anyone tried one?
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Yes there is. Play this little line. C (8th fret, low E) F (8th fret, A) G (10th fret, A) A (5th fret, low E) D (5th fret, A) E (7th fret, A) B (7th fret, low E) Get used to it. Right, now the first three notes are MAJOR. In the key of C the C, F and G chords are Major. The next three are MINOR. In the key of C the A, D and E are Minor. The last note, B. That's DIMINISHED.
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Technique question, muting unwanted strings on a fast lick.
repoman replied to repoman's topic in Theory and Technique
Muting reliably like that is pretty tough. He's fairly clean with it. -
The notes in that first chord there are E, G#, D#, F#. That gives you a root (E), a major 3rd (G#) and a major 7th (F#), making it some sort of Emaj7 chord. That F# is interesting as that's your 2nd (or in this case a 9th). I don't know exactly what you'd call it. Emaj7+9 maybe. That second chord looks like an E maj too but more straightforward. 12 x 14 13 12 x. It's essentially your open E chord played at the 12th fret but muting out the 5th on the A string and the highest E in the chord. You still get your root, major 3rd and 5th.
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Technique question, muting unwanted strings on a fast lick.
repoman replied to repoman's topic in Theory and Technique
yeah an upstroke seems like the best option (although super unintuitive for me to start a lick on one) and palm muting would work. Here's the lick - -
Technique question, muting unwanted strings on a fast lick.
repoman replied to repoman's topic in Theory and Technique
A barred G would sound a G note on the 12th fret. I'm trying to avoid that. It's actually more of a Jimmy Page lick than a thrash one apparently. Cheers though. -
Say I'm doing a lick that repeats and it's these notes. 15th fret B string 12th fret B string 14th fret G string 12th fret B string I've got a little flaw in my playing where I sound the open G when removing my finger off the 14th fret. I'm not pulling off but I still get the open G sound. I watched Gary Holt (Exodus/Slayer) playing the lick and he doesn't get much unwanted noise but I couldn't see him muting it in any way, it just didn't sound. How would you keep it clean? Also if alternate picking, would you start with an upstroke?
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I love Ibanez but there's a problem with that S521. That jack socket is in THE WORST PLACE.
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It's a balancing act for me between comfort, looks and functionality. I'm sure Strats are comfortable but I hate the look (reminds me of Bryan Adams). First time I played a Les Paul I couldn't believe how much I DIDN'T like it. It felt horribly chunky. I've got three electrics at the moment (arguably too many). My Ibanez RG421 is unbelievably playable. I bought it in a shop and it was immediately great. I kind of messed it up by replacing the bridge (NEVER get Cosmo Chrome, it tarnishes quick so I replaced it with black) but then I got dead frets. So I had it adjusted by a pro guy near me and it's now basically playing itself. My HB Tele has a bit more resistance but my favourite. Teles don't give you anything for free. But this one has a trem, so it's basically perfect. The Tele shape is good looking and very comfy. I've also got a 335 copy. I've always loved that shape. Very comfortable body but a bit large. I'm mostly a sofa player now.
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Cheers, both
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1 hour downpicking challenge (19.000 downstrokes!)
repoman replied to c_tecks's topic in Theory and Technique
You might get RSI just watching this. -
I've got two HBs. The first is a gorgeous Telecaster clone which oddly has two humbuckers and a trem. Thing is, I HATED it when I got it. Scratchy frets, neck not right. Awful. It was the guitar that finally made me learn to adjust a truss rod. I polished the frets, straightened out the neck a bit and oddly it's become my favourite guitar. I like it a lot more than the actual real Telecaster I used to own. I also got a CST-24 Hollow Body. Which is basically their PRS rip off guitar. It's horrid. It looks nice but it's on eBay as we speak.
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I've got some sketchy Chinese-made-probably wireless transmitters from Amazon called Getaria. Battery life, sound and latency are okay but I'd be up for upgrading. Anyone got any recs?
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Hi, everyone. I'm Richie. Been playing forever. Was a shredder type in the 90s but more recently I've decided to man-up and learn jazz which is, by far, the hardest thing ever. Favourite guitarists are; Geordie Walker (Killing Joke) Rocky George (Suicidal Tendencies) Rick Hunolt (Exodus) Robert Smith (The Cure) I like cheap guitars that look pretty. If I won the lottery I'd by some sort of Gretsch though.