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Spotted a Chapman ML3 modern on facebook marketplace at a good price last weekend so pulled the trigger and absolutely loved it. So much so I bought an ML1 Pro this weekend ( I really do need a bigger house !) This is one of the best looking and playing guitars I've owned (it's so bassy !)even when compared to custom build territory like my Ambler. Now I need the green sparkly semi - hollow one and a baritone to complete the collection !

Even though it looks and feel a bit whacked, that posture sure made it a lot easier to fret the frets, though I found it very hard to accurately fret. Probably just practice, but I'll throw that one in for a change. Aah, also made it a lot easier to fret. I'm doing it that way for this particular song since that's what he's doing and it was the only way for me to play the E string together with the other notes. I'm not sure how he does it on the recording and everytime I see him live he seem to be playing differently. I think it's supposed to be a muted tone too but that's far over my league at the moment. But with practice comes experience, so It seems I need to practice a lot more and for the hand easier riffs to build up the core strength. That tip was especially useful when playing Poison since that far stretch in the intro was a whole lot easier doing with the thumb in the center back! I'm not entirely sure what you mean, you mean while playing the same string(s) on different frets? That's something I've been practicing but wow, it's pretty hard. Though that along with the tips from Plucking the strings economically sounds like something I should embrace and practice more. I can up pick one single string, like when playing temple of the king. But if it's two or more, I have to use a very thin pick to even somewhat succeed and I find them hard to get a good sound out of. I'm not a fan of shedding or fast play myself, I like it clean. Ritchie tends to keep it so with good rythms, like the pre-intro when he plays man on the silver mountain live in munich, I like that kinda play. I found out, by accident that for me, resting the palm on the bridge is the easiest way for me to play good sounding muted notes as I can't do that with the fretting hand yet. Though it feels as if the hand is so far back there that it's hard to pick the strings accurately, so I haven't really practiced plucking them there. Usually when something hard we tend to go easiest route and not really bother. But you make me realize that it's all just practice and it'll get better over time. I think you're absolutely right! A very good observation!! I just measured the lowest part of the low E down to the 12th fret and it measures 3mm, I think that could be chopped down a good 1mm. Maybe even more, I'll have to bring it to the shop. I think you have a very very good point here, might be due to the high action. But I'll keep that one in mind when playing! Also, I just played and I slowed it down quite a bit. I noticed I had a lot more control over my fretting hand, the fingers wasn't moving anywhere near as much as in the video nor as far away from the neck. Interesting, maybe I should take it a bit slower, though a hard thing to do when the mind and body never wants the same heh. But to be realistic, I don't think I have the accuracy to play well yet, I think it's all just muscle memory from my side, my hand knows where to move. Which is not the way to go, so slower it is. Thank you very much guys, very exhaustive and detailed answers!