Leaderboard

That's a plus if they can be dialled out... I remember back in the day when most multiFX units were like the Nokia 3210 - forty odd ringtones you were stuck with, mostly crap, and only one slot for your own....

Santa brought me the Nux looper pedal and I’m very impressed. So impressed, in fact, that I’ve bought the MG-30 multi-fx unit which is superb. Rock solid build and the tones it offers are excellent. The supplied patches are, as usual (looking at you here, Zoom) a bit too gainy and OTT for practical use but that’s easy enough to dial out

I'm afraid I can't help, but I did notice that Tube Screamers of that vintage sell for quite a lot of money.

I'm not sure how to get the sound, but can anyone tell me how to get my hair to look like William Reid's?

Typically, during the sound check before a concert, the guitar level in the mix will be set my the sound engineer at the desk. Whilst it's the guitarists turn, he will ask for the 'normal' guitar level, and then the 'Fx' level, and may ask for an adjustment of the balance between the two. It there's no engineer, or if there's no guitar through the PA, it's up to the guitarist (and the band as a whole...) to sort out the relevant levels before the concert. There is no absolute rule, but, in general, fuzz, distortion, overdrive etc need not be so loud as one might imagine. Basically one would aim at having the perceived 'loudness' pretty much equal between clean and fuzz. Once the levels are set for the band, for the venue and for the song, it shouldn't need tweaking at all. If there's a lot of boosting going on for some songs, a second pedal, after the fuzz, to be able to 'up' the level a little might be a Good Idea. If there's even more going on, a programmable Fx becomes useful, and learning how to 'tap-dance' for switching between patches does the job. As you see, there's no 'silver bullet'; start with the simple way (get the levels about equal...) and work up from there by experience, listening to recordings of your rehearsal, for instance. Hope this helps... Douglas

It's the perception that distorted is loud, at least this what I have suffered from in the past. Add to that, playing in your personal practise space, is very different to playing with a band in bigger rooms. What's probably happening is the fuzz is compressing your signal somewhat and possibly adding some harmonics that are matching what's going on with the other instruments. If your fuzz has any kind of EQ, try adding treble. Although it might sound like a wasp in a jam jar soloed, in the mix it might be just the job. Another route is to have a dry/wet mix so that you maintain some of you 'clean' tone.