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Showing content with the highest reputation on 18/04/20 in all areas
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Hi guys I'm new here, I've recently been making a series on YouTube about guitars and would love some feedback and advice if possible4 points
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Hello Hellzero the guitar in the video has a poly finish in fact. Here is another video if youu would like2 points
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Thanks for the welcome dad, have you tried using a extendable telescopic magnet tipped reaching tool to get the screws out of the jar? Feel free to remove the gloves at any point Best, Simon1 point
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Ohhhhh....... ok, to cut itg to three, let's try Daniel Ray, Joe Moretti and Link Wray as the three current big influences. (Les Paul was definitely a guitar player, though!)1 point
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This was meant to be a challenge and make people really think - and it seems to have worked! I completely understand and agree about Lester and Leo and their influence - but the question is about guitarists so they can’t make the final cut. If we do get round to a poll then I’d rather keep it to 3 candidates from everyone so how about ranking them in order of importance and influence to you?1 point
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I honestly don't think I could cut it to just three.... In no particular order, my favourites are: 1] Hendrix has to be in there - I'm sure he's a formative one for all of us left-handers especially. Certainly got me to push past the bullshit from every guy who really just wants to sell you a right handed guitar and claim that it's not a 'handed' instrument - or, my favouerite, "You'll havean advantage with your stronger hand on the fretboard" (Yeah? So why don't *you* all play "lefty", then, genius?) 2] Johnny Ramone and Daniel Rey - Ramone for the minimalism, Rey for basically any lead guitar you ever heard on a Ramones album. Also, Rey for that hint of the surf sound on Sheena is a Punk Rocker. 3] Steve Jones and Mick Jones are both guitarv titans in my world. JonesS's crowning glory is that riff on God Save the Queen - a defiant, punk rock answer to the staid, rock and roll establishment best represented by Queen with their take on a song of the same name. Jones M for those wonderful Clash melodies, rooted in old school rockabilly, not least his absolute owning of the definitive rendition of I fought the law. 4] Dick Dale would be an influence on how I listen to guitar even if he weren't left handed, but again being a fellow Southpaw (even if he played it all funny....) helps to inspire. 5] Link Wray. If I can *ever* play close ot sounding like Link Wray, I'll die happy. Primal, true, beautiful. 6] Chuck Berry has to get a mention in there; Johnny B Goode was the song that made me want to learn to play guitar. (Via Back to the Future originally, yeah - except evne back when I never liked it when he drops the melody in favour of all that Van Halen wankery.) 7] Joe Moretti's lead guitar playing on Vince Taylor's Brand New Cadiilac is as near the pure spirit of rock and roll that it's possible to get. (The only track that I think comes as close to fun for me to jive to is JLL's Great Balls of Fire.) If ever there was a single track that summed up everything I find joyful about guitar, it's that one. Moretti was quite the player, worked with a number of big names, but even if this was the only thing he did it still makes him, for me, one of the most important guitar players in history. If an alien civilisation landed and put a ray gun to my head and asked me which should avoid being erased from histroy forever, both from that point on and all memory of it wiped to - BNC or the entire Beatles back catalogue, I'd wave bye bye to Scousers without a second thought. BNC was probably the first true "British" rock and roll recording, certainly it was part of a wider British rock and roll boom that was prematurely killed off by Merseybeat. It hasn't dated the way the Beatles did; BNC Still sounds fresh and alive today. Beyond those direct influences... Equipment wise, Lester Polfus. I don't play anything like his stuff (and I am *so* *over* Les Pauls despite many of my heroes playing them), but given his many influences across recording technology, overdubs, being one of the pioneers of the solid body....I'd say he had more influence on pretty much all of us and how we experience guitar music than most folks. Leo Fender would also come in here, but for the fact that he couldn't play a note. And that's not a bad thing - I honestly think that had Leo been a guitar player, he'd never have come up with the engineering marvels he did. Maybe also Robert Johnson.... I recently worked through his back catalogue again, and somewhere in those 29 songs I can hear a touch of pretty much any guitarist sicne who has ever been worth listening to. Johnson is, I would argue, the ultimate root of guitarp laying as we know it. Other honourable mentions: John O'Neill (Undertones), Jake Burns (Stiff Little Fingers). Buddy Holly. Bob Dylan is a huge part of why I play acoustic the way I do. THere are lots of more recent players I really like, but these ones mentioned here were my formatives. Really can't dilute it to just three.1 point
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I don’t think you’ll be sorry. I have an Area T hot on mine because I wanted something a bit more more P90ish, but it is still fundamentally a Tele sound. I love the guys at DiMarzio, always helpful and their products are great.1 point
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I have an old (circa 1956 appx) Yamaha dynamic guitar No.2, Nippon Gakki. Pat. No.48710Q - black label and I need new machine heads. One tuning gear and screw has been lost. The distance between post centres is 1 1/4 inches which is about 32mm. Any Ideas on where to get them?1 point
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I see,. and yes most certainly as you put it ... Ah... A very strong example of 'opens mouth ,inserts foot' once again... Doh! I am actively trying to be less ' inappropriate' as I get more aged, but this shows I could still make a career out of it... As no apology is needed, can I at least offer my sincere but late condolences...and wish you all the best in these strange times.1 point
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Good evening, Chris... It sounds as if you're not all that in love with your guitar, which is a shame. It should be understood that Danelectro were, and still are, rather towards the 'budget' end of the market, with the advantages that that brings, and the inconveniences. It has a distinctive tone, but will never be a Gibson nor Rickenbacker. Personally, I wouldn't consider upgrades as such; repairs are a different matter. Leave the nut alone; it's doing its job and it won't improve anything to change it. Same for the bridge; once it's intonated, it shouldn't need touching often at all, and it won't be an easy job to find anything that'll fit. I'm puzzled by the mention of a 'boost' switch. If that's the seven-position pick-up selector, what's wrong with it..? What has the tone pot got to do with it..? If you can explain that a bit more, maybe a solution could be offered. Over to you...1 point
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I'm a drummer, but have several guitars, and several basses. I only have one drum kit though (one kit to rule them all...). In saying that, I do have a second kit, but I lent it out to a buddy, got it back and have not touched it since. It's pretty ropey. So, several basses, but only one 'go to' bass: my Hofner Verithin. I was gifted a fretless six-string, but that's been 'confiscated' by Our Youngest, who uses it exclusively, now. We also have a very nice Cort Fiver, originally for said Youngest, but he prefers the Sixer, so I use it when I want a different tone from the Verithin. There's another four-string; I don't recall the make/model, and can't be bothered to fetch it to see, but it's quite a modest little thing. Guitars..? No, I'd better not get started on those...1 point
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I can't believe no-one has "bitten" yet, if this was over-the-road on Bass Chat, World War 3 would have started! The strange thing is that I almost agree with you though. Although I have half a dozen guitars that all get used regularly (different pickups, different tunings, etc) I have only 2 basses that I play - a five string Spector Euro and a four string EBMM Sterling; any bass tone or playing "feel" that I need can quite happily come out of one of these.1 point
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