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Hey Kiwi, I found the California to be a great pedal which added a lot of depth to the high gain mesa head, but I did find that on the base adjustment seemed to suddenly jump, I tried it right down with the base up on the head unit and mainly use it to add a smother mid tone instead for lead work. I used to had a Hammett signature Randall amp which it worked really well with that ! recently I have moved away from physical pedals and been playing with a digital sims at home just for something different, but you can't beat proper pedals !!

Mine has been on Reverb for a while. The ex Lindisfarne one.

How are you finding the California, I have a full Mesa set up now and the California sounded pretty dark even after I dialled back the bass. Did you find a way to brighten it up?

It's fun to make arrangements of 80's songs. They have something in them, maybe it's just nostalgy. Cheers, Mikko Video Tabs

I have had one of these too when I was playing in my rockabilly band. I tend to prefer a blackface sound so moved it on after the band stopped. But I was also very impressed by the tone (and the weight), plus the fact that it gave a pretty good output into the PA too so no need to mic.

I tried one of those Roland a few months back, I gotta see I was impressed : https://thmn.to/thoprod/379467?offid=1&affid=1771

HA I looked at this topic and had to have a look at this BC RICH beauty ! https://thmn.to/thoprod/512794?offid=1&affid=1771 damn...

Backing track of this great song by Kurt Rosenwinkel. I hope you enjoy it

Evening all. I’m building a small stereo guitar rig based on a Carlsbro GLX80, Harley Benton GPA100 and Mesa Thiele that i have lying around. I didn’t have any stereo pedals so have picked up a TC Corona and a Flashback to do the stereo effects. I’m looking for some others input as to what is good but not too pricey set of cables. Normally i build my own using Van Damme and Neutrik, but for this i can’t be arsed to make them mainly due to time constraints. So, any experience of what you’ve been using and are happy with would be useful to know.

Practise and flux. My soldering skills were definitely sub obtimal until I decided to build an amplifier. I bought a decent iron, solder and station, a third hand tool and a tub of flux. Lots of pre tinning of wires and components. It was a whole lot of soldering. Now I think I’m pretty OK at it.

Any suggestions. I will not attempt to solder anymore. Crazy glued a deathbucker into my epi explorer. It still works but no other attempts have been successful. Ive had a super distortion sitting silently in an old ibanez for 4 yrs. Is there a remedy for this. I would be too embarrassed to take it to a shop and have it done at this point.

66 Gibson sg along with 70's silver face twin

What would be the "wonkiest" or "most interesting" band you can imagine if you hand picked the band members. Have as many as you like.

Or Robert weir

Or Robert palmer

Now that would get the building condemned. What are 2 things that Jerry Lee Lewis, Jerry Falwell and mickey gilley have in common?

Jerry Lee Lewis on the Stylophone

Take a well known or iconic guitar personality and have that person play a different instrument with same onstage personality or antics. Examples: Pete Townsend with harmonica or Angus Young with upright bass

But it hasn't gotten to Robert Plant yet,.........

Awesome pedal, super useful when I had my little pedal board in action as it’s got chorus, tremolo, and echo on top of a variety of very cool and useable reverbs. Comes with box and manual.

Awesome delay - with tones designed by guys at Premier Guitar for this version 1 of the Alter Ego. Many types of delay available, and a basic looper too. Also tone print options. From TCE: Built On The Shoulders of a Giant Alter Ego Delay is the unique result of Andy and Aaron at ProGuitarShop getting to play around with the TonePrint software. A pure labor of love, PGS sculpted some of the most awesome delay sounds around. • Now available worldwide * • Two exclusive delay modes custom tuned by ProGuitarShop • 7 seconds of delay *Available exclusively from ProGuitarshop in North and South America Delayed World Domination When Andy and Aaron at ProGuitarShop originally did these custom tunings, they were quite exclusive - but as the sounds are so highly regarded and sought after the world over, we want everyone to be able to get them! Delay Daze Andy and Aaron at ProGuitarShop went to town on our TonePrint software like you would not believe and came up with two exclusive Toneprints that can only be found on this pedal - let's have a look. The Echorec / The DMM Setting / Seconds Nature So Pink Floyd we should have painted it pink! The Echorec is characterized by a very unique modulation. Typically when you think of delay and modulation you think of a chorusing effect. But this is more of a vibrato than a chorus. On lower settings it just adds a very subtle 3D effect, but if you care to crank up the volume it gives a nice warble, resulting in a slight Leslie type effect. You will notice this warble at around 300ms repeat time. It then morphs into some great swirling upper harmonics at higher delay time settings. A clear tribute to the Electro Harmonix Deluxe Memory Man, the DMM is a classic delay that everyone with a guitar heart is very familiar with. This tuning is very focused on capturing the nuances of the echo and mimicking the unique decay heard in its repeats. Seven seconds of delay should be more than enough for even your wildest sounds. And even at long settings, Alter Ego Delay always sounds smooth and natural. True to Tone You love tone, so do we, and our design philosophy testifies to that. So whatever route you wanna go, we got your back. With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through. Backstage Pass - All Access With Alter Ego Delay, getting tones is a cinch. Dialing in sounds is quick and intuitive and it's one of those pedals where you just can't seem to get anything else but awesome sounds. Controls the delay time, which, apart from the Slapback, can go up to 7 seconds. Determines how pronounced the effect is. From subtle ambience to total timewarp. Allows you to select quarter notes, dotted eighths or a dual delay combination of both (of which "the Edge" would very much approve). Set the number of repetitions and how much effect is fed back to the input - short and snappy or infinite soundscapes ... you decide! Sets your delay type. Makes a mean panini. Only one of these is actually true. TonePrint pedals offer both true- or buffered bypass. It simply means that no matter what your setup or situation, TC pedals give you optimal signal integrity so the 'you' in your playing shines through with unparalleled clarity and definition.

changed the strings and its almost perfect. didnt realise they could cause problems like mine. i follow this guys video mainly due to the comments. quite a few saying its the best tutorial video on youtube. he does them both ways. i like more than 2 or 3 turns and dont cut it so close to the post.

I was OK with the squirrel story, but this ^^ I just don't believe. ...

The harmonic cannot be sharp or flat, unless the string itself is duff. Start off by changing at least this 'G' string, or the whole set if they're more than a few months old. Let the strings 'bed in' for a week or so of playing, then check again the intonation. It's not necessary, nor a Good Idea, to have too much excess string wound around the tuning post. Ideally, enough for three or four wraps does the job. It's best tto feed the string end through the hole in the post, leaving enough slack to get a few cms above the fingerboard. Then wind the string onto the post, with the first turn above the hole. Once this first wrap is on, hold the string down above the nut so that the following turns cross the first one and the windings are below the hole. This will lock the string in place, once tuning tension is achieved. The excess string is to be cut off, about 1 cm from the tuning post. Try this technique out a couple of times 'dry', to get used to judging the amount of slack required. Too much slack means too many winds on the post. Too little means not enough. The 'sweet spot' is three or four turns wound onto the post. Once all the strings are on, and the guitar tuned to pitch, I take each string in turn at its mid-point, and lift the guitar off the bench (gently but firmly...) by this one string; this 'beds in' the string at each end, and gives me tuning stability from the outset. After this suspension, tune back up to pitch and it's Good to Go. Now the harmonic test can be done again; the harmonic will be the exact octave of the open string.If the open string is tuned correctly, the harmonic will be (must be...) spot on. The note at the 12th fret should sound the same as the harmonic. Hope this helps.